Amy Fote began her dance training with the Jean Wolfmeyer School of Dance in her native Wisconsin. She continued her studies on scholarship at the National Academy of Arts, Interlochen Arts Academy, and the Harid Conservatory in Boca Raton, Florida. Upon graduation, she accepted a position with the Milwaukee Ballet, where she danced 14 seasons, rising through the ranks to Principal Dancer.
During her tenure in Milwaukee, Ms. Fote was regularly invited to perform at the famed Chautauqua Institution in Chautauqua, NY. There she was trained, coached, and encouraged by talented mentors such as Jean-Pierre Bonnefoux, Patricia McBride, Violette Verdy, and Mark Diamond, and danced with leading artists from companies throughout the world. In 2004, Ms. Fote was invited by The Royal New Zealand Ballet to perform the lead role in Stanton Welch’s Madame Butterfly, ultimately giving 16 performances throughout New Zealand to critical acclaim. The following season she accepted Mr. Welch’s invitation to join Houston Ballet as First Soloist and was promoted to Principal the following year.
Ms. Fote’s classical repertoire includes Odette/Odile in Swan Lake; Juliet in Romeo and Juliet; Kitri in Don Quixote; Tatiana in Onegin; Hanna in The Merry Widow; Swanhilda in Coppelia; Giselle (and Myrtha) in Giselle; Sugar Plum Fairy (and Snow Queen) in The Nutcracker; Aurora in Sleeping Beauty; Esmerelda in The Hunchback of Notre Dame; Svetlana in Dracula; Pamina in The Magic Flute; Marie in Stanton Welch’s Marie; and title roles in Madame Butterfly, Anna Karenina, Cinderella, Carmen, and Scheherazade.
She has had featured roles in both classical and contemporary works including Ashton’s Les Rendezvous; Bournonville’s Conservatoire; Balanchine’s Who Cares?, The Four Temperaments, Serenade, Apollo, Tchaikovsky Pas de Deux, Western Symphony, Symphony in C, Allegro Brilliante, Rubies, Square Dance, Walpurgisnacht Ballet, Donizetti Variations, and Stars and Stripes; Bruce’s Sergeant Early’s Dream; Forsythe’s In the middle, somewhat elevated; Goh’s Unknown Territories and In the Glow of the Night; Jooss’ The Green Table, King’s Map, Kylian’s Petite Mort, and Svadebka; Kudelka’s Little Dancer; Lichine’s Graduation Ball; van Manen’s Grosse Fuge and Five Tangos; McIntyre’s Reassuring Effects of Form and Poetry; MacMillian’s Gloria; Robbins’ The Concert and Afternoon of a Faun; Taylor-Corbett’s Great Galloping Gottschalk; Tudor’s Lilac Garden, The Leaves are Fading, and Elegies; Tetley’s Voluntaries; Sappington’s Virgin Forest; Stevenson’s Three Preludes; Wheeldon’s Carnival of the Animals; Welch’s Indigo, The Core, Nosotros, Brigade, The Four Seasons, Clear, Carmina Burana, Orange, Velocity, Falling, Tutu, Red Earth, Divergence, A Doll’s House, and Mediaeval Babes; York’s Celts; and other works from Gerald Arpino, Peter Anastos, Kathy Posin, John Paul Comelin, Bruce Wells, Lisa de Ribiere, Michael Smuin, John Utans, James Canfield, and Simon Dow.
Ms. Fote appeared on television in the PBS broadcast of “Dancing Anna Karenina,” a documentary following the stages of Andrey Prokovsky’s ballet from rehearsal to performance. After retiring from her position as Principal Dancer at Houston Ballet, Ms. Fote joined Ballet San Antonio in August 2014.