THE NUTCRACKER
DECEMBER 4, 5, 6 and 11, 12 13
Tobin Center for the Performing Arts
Approx. 1 hour, 55 minutes including a 20 minute intermission
Performances
Student Matinee
Friday, December 4, 2026
10:00 AM
Ballet San Antonio’s Student Matinee of The Nutcracker (Act II) is a 50-minute, school-friendly performance featuring professional dancers that brings the magic of the Land of Sweets to life through vibrant storytelling, dance, and Tchaikovsky’s iconic score, offering an engaging and accessible introduction to this beloved holiday classic.
Opening Night
Friday, December 4, 2026
7:30 PM
Experience the magic of Opening Night with Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Matinee Performance
Saturday, December 5, 2026
2:00 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Evening Performance
Saturday, December 5, 2026
7:30 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Matinee Performance
Sunday, December 6, 2026
2:00 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Sensory Friendly Performance
Tuesday, December 8, 2026
10:00 AM
Experience Ballet San Antonio’s sensory-friendly The Nutcracker (Act II)—a welcoming, adapted performance featuring professional dancers, adjusted lighting and sound, and a relaxed environment, bringing the magic of the Land of Sweets to life through beautiful choreography and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Student Matinee
Friday, December 11, 2026
10:00 AM
Ballet San Antonio’s Student Matinee of The Nutcracker (Act II) is a 50-minute, school-friendly performance featuring professional dancers that brings the magic of the Land of Sweets to life through vibrant storytelling, dance, and Tchaikovsky’s iconic score, offering an engaging and accessible introduction to this beloved holiday classic.
Evening Performance
Friday, December 11, 2026
7:30 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Matinee Performance
Saturday, December 12, 2026
2:00 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Evening Performance
Saturday, December 12, 2026
7:30 PM
Experience Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
Closing Performance
Sunday, December 13, 2026
2:00 PM
Don’t miss the final performance of Ballet San Antonio’s full-length The Nutcracker—a dazzling holiday tradition featuring professional dancers, a cast of 100 children from across the San Antonio community alongside students from the School of Ballet San Antonio, and beloved community members as Mother Ginger, all brought to life with breathtaking choreography, stunning visuals, and Tchaikovsky’s iconic score performed by The Orchestra San Antonio.
SEND THE KIDS TO THE BALLET
All performances of The Nutcracker are part of our Send the Kids to the Ballet program, which provides children from local schools and community organizations with free tickets and transportation. This initiative is designed to reach those who might not otherwise have access due to economic, geographic, or personal barriers.
If your organization is interested in participating in the Send the Kids to the Ballet program, please contact Daniella Juarez, Director of Administration, at d.juarez@balletsanantonio.org.
About the Choreographers
HALEY HENDERSON SMITH
Haley grew up in Southern California where she trained with Clarissa Boeriu. At the age of 17, she received a contract with the Royal Danish Ballet and continued dancing there for six and a half seasons. While there, Haley had the privilege of creating roles in multiple works by Alexei Ratmansky, John Nuemier, and Tim Rushton, among others.
After dancing as a guest artist with American Ballet Theatre during their 2006 Metropolitan Opera House season, Haley danced for two seasons with Ballet San Jose, where she met her husband, Easton. From there they joined the cast of the pre-Broadway tour of Dirty Dancing where Haley performed in the ensemble and the lead character Penny.
After training in New York City with David Howard, Willy Buhrman, and Nancy Bielski, Haley joined Ballet West as a soloist in 2010 and was promoted to rank of principle in 2013. While at Ballet West she danced the full range of leading roles with the company including the principle woman in Balanchine’s Diamonds and Odette/Odile in Swan Lake. She also originated roles in works by Nicolo Fonte, Jodie Gates, Val Caniporoli, and Easton Smith. Haley was also a world ambassador for Gaynor Minden pointe shoes and featured in Dance Magazine’s women’s issue in 2012.
EASTON SMITH
Easton began his professional career at the age of 17 with the renowned director and choreographer Michael Smuin. During his seven years with Smuin Ballet, he recreated numerous leading roles from Michael’s tenure as Director of San Francisco Ballet, as well as originating many roles created for him by Michael at Smuin Ballet. Smith would go on to work as a leading male dancer for the Sacramento Ballet, as well as Ballet SanJose where he met his wife, Haley.
Easton and Haley joined the cast of the pre-Broadway tour of Dirty Dancing where Easton performed the leading role of Johnny Castle, as well as in the ensemble. Easton then joined the Broadway cast of Billy Elliot in New York City as Older Billy. After his work on Broadway, Easton and Haley decided to return to ballet and were invited to work with Ballet West under the direction of Adam Sklute as a Soloist. During his time with Ballet West, Easton also choreographed multiple pieces for the highly acclaimed Innovations Program.
Easton has had the opportunity to work with some of the most influential choreographers, repetiteurs, teachers, and directors of our time.
After his retirement in 2013, Smith became a commercial helicopter pilot focusing on private executive charters, production, and aerial firefighting for the United States Forest Service. During that time, he also held the title of President of Coastal Helicopters, an aviation company based in the Los Angeles area.
Smith now has a successful Real Estate Group at the number one market center of the world’s leading brokerage.
The Orchestra San Antonio
CONDUCTOR Leonardo Pineda
Leonardo Pineda is a conductor and cultural leader of a new generation redefining the classical music experience through artistic excellence, innovative programming, and meaningful audience engagement. He is the Music Director of The Orchestra San Antonio (TOSA), the resident orchestra of the Tobin Center for the Performing Arts, an appointment that began in October 2025 following a series of acclaimed guest appearances with the ensemble.
Pineda’s official debut at the Tobin Center’s H-E-B Performance Hall featured internationally renowned trumpeter Pacho Flores. The performance concluded with a three-minute standing ovation and four curtain calls. Voice of San Antonio praised the evening: “At the helm was conductor Leonardo Pineda. His dynamic and expressive leadership elicited an extraordinary level of nuance and musicality from the ensemble. You could feel the deep connection between the conductor and musicians, and the sense that this was just the beginning of something special.”
As a teaching artist, Pineda is deeply committed to creating meaningful entry points into classical music. His work centers on innovation in the concert experience, crafting programs and environments that invite new audiences while fostering deeper engagement with the art form. Eric Booth, widely regarded as a leading figure in the teaching artist movement, writes: “Leonardo’s most important contribution is the way he redefines the role of the music director as a modern cultural leader—someone who captivates audiences through both artistry and education. He is part of a new generation of conductors who do not see performance and engagement as separate pursuits.”
Highlights of Pineda’s 2025–26 and 2026–27 seasons include major symphonic repertoire by Beethoven, Tchaikovsky, and Dvořák, including Beethoven’s Symphonies Nos. 5, 7, and 8; Tchaikovsky’s Symphony No. 5; and Dvořák’s Symphonies Nos. 8 and 9, From the New World.
His seasons with TOSA also feature significant collaborations and premieres, including the San Antonio premiere of Daniel Freiberg’s Crónicas latinoamericanas with Pacho Flores; the world premiere of Juan Pablo Contreras’ La Minerva with Anna Lee; and the North American premiere of Freiberg’s Guitar Concerto with guitarist Rafael Aguirre. Additional highlights include Korngold’s Violin Concerto with Francisco Fullana; complete performances of Beethoven’s Egmont incidental music with narrator and soprano; and eighteen performances of The Nutcracker with Ballet San Antonio across two consecutive seasons.
In 2025, Pineda made his sold-out Carnegie Hall debut with Ensemble Connect, conducting the world premiere of a work by Carolina Noguera in a program curated by Gabriela Ortiz. He was also selected from 250 international applicants for the Carlos Prieto Conducting Fellowship, where he received the Distinction Prize.
Pineda serves on the faculty of Bard College as Guest Conductor for Educational Partnerships and Lecturer with The Orchestra Now. Through this work, he continues to develop innovative models that connect professional musicians, students, and communities through performance and education — building programs that invite new audiences in rather than asking them to arrive already fluent in the art form.
Production Credits
CO-CHOREOGRAPHERS
Haley Henderson Smith and Easton Smith
ARTISTIC DIRECTOR
Rafael Ferreras
CONDUCTOR
Leonardo Pineda
LIVE MUSIC
The Orchestra San Antonio
REHEARSAL DIRECTOR
Jacob Bush
WARDROBE SUPERVISOR
Katie Simpson
LIGHTING DESIGNER
Mike Palmer
DIRECTOR OF PRODUCTION
Robert Grossman
STAGE MANAGER
Rebecca J. Simons
STAGEHANDS & TECH CREWS
Provided by I.A.T.S.E. Local 76
PRIMARY COMPANY PHYSICIAN
Lindsay Stephens, D.O., Sports Medicine Associates
PRIMARY PHYSICAL THERAPIST
Barbara Guarriello, PT, DPT, OCS, Texas Physical Therapy Specialists
Casting
To Be Announced
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H-E-B Hall
Tobin Center for the Performing Arts
100 Auditorium Circle
San Antonio, TX 78205 -
The Tobin Center offers convenient parking within two blocks of the venue.
Tobin Center Parking Garage
227 4th Street, San Antonio, TX 78205Parking is available for purchase in advance or upon arrival.
General: $20
Prepaid: $17
Reserved: $30
Prepaid Valet: $35
Valet: $40
To reserve parking, contact the Tobin Center Box Office at (210) 223-8624 or online HERE.
Drop-Off & Rideshare:
The patron drop-off and rideshare area is located on Auditorium Circle, to the left of the Tobin Center’s front steps.
To access: drive north on Jefferson Street and turn left onto Auditorium Circle. -
The Tobin Center is committed to providing an inclusive and accessible experience for all guests.
All entrances are wheelchair accessible
Accessible parking is available on all garage levels
Accessible seating is available for all performances
Assistive Listening Devices (ALDs) are available
Elevators are located throughout the venue
Companion care restrooms are available
Service animals are welcome
Wheelchairs are available upon request
For assistance with accessible seating or services, please contact the Tobin Center Box Office at (210) 223-8624.
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Mobile tickets are accepted—simply present on your phone
Prefer printed tickets? Log in to your TOBi account and reprint from Order History
Will Call and ticket reprints require a valid ID matching the ticket order
Note: All patrons, regardless of age, must have a ticket to enter.
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TASTE Fine Dining
Located in the McLaughlin Rotunda, offering a chef-driven seasonal buffet and desserts.
Dining begins 2 hours prior to showtime (select performances).TASTE Burgers & Beer
Casual dining with burgers, beer, cocktails, and snacks. No reservation required.Lobby Bites
Chef-curated snacks and appetizers available when doors open.Stout’s Signature at the Tobin
Located at street level of the parking garage, featuring upscale dining and handcrafted cocktails.Concessions
Available throughout the venue with snacks, cocktails, beer, wine, and non-alcoholic beverages.Skip the Line with Noble
Pre-order drinks from your phone and pick up at the bar or have them delivered to your box seats. -
Posting about the show? We’d love to see it!
Tag @balletsa and @tobincentersa for a chance to be featured. -
To ensure a safe environment, the following items are not permitted:
Weapons of any kind (firearms, knives, tasers, mace, etc.)
Vapes or vape pens
Professional cameras or recording equipment
Laser pointers, glow sticks, flashlights
Backpacks
Large bags (over 12” x 12” x 12”)
Illicit substances
Outside food or beverages
Posters or signs
Any items deemed dangerous by management
The Tobin Center requires a search of all patrons upon entering the venue. All patrons must have a ticket to enter the venue. Patrons who choose not to adhere to the guidelines will be removed from the venue without a refund.
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Location: Inside the main entrance
Phone: (210) 223-8624
Email: tickets@tobincenter.orgHours:
Monday–Friday: 10 AM – 6 PM
Saturday: 10 AM – 2 PM
Performance days: Open 2 hours prior to showtime
Services include ticket purchases, reprints, will call, and event assistance.
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For additional questions, please contact the Tobin Center Box Office at (210) 223-8624.
FAQ
Page Credits
VIDEOGRAPHERS
Emilie Geib and Sofia Marquez
ARTIST IN VIDEO
Soloist Elaine Blank
PHOTOGRAPHER (excluding choreographer and conductor headshots)
Molly Johnson Photo
ARTISTS IN PHOTOS
Principal Will Robichaud
Soloists Logan Acker, Elaine Blank, Alexandra Carey, Alexa Horwath
Corps de Ballet Haley Blackwelder, Emily Johnson, Isabella Long, Mikaela Stewart