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World Premiere

Peter Pan

February
21 – 23, 2025

Tickets are only valid if purchased through the Tobin Center Box Office or Tobin Center Website

Special thanks to season sponsors Carla & John Brozovich 

Myra Stafford Pryor
Charitable Trust

John R. and Greli N.
Less Charitable Trust

Performances

Friday,
February 21, 2025
7:30 PM
Tobin Center | H-E-B Performance Hall
Saturday, February 22, 2025
2:00 PM
Tobin Center | H-E-B Performance Hall
Saturday, February 22, 2025
7:30 PM
Tobin Center | H-E-B Performance Hall
Sunday, February 23, 2025
2:00 PM
Tobin Center | H-E-B Performance Hall

Run Time: Approximately 1 Hour and 45 Minutes – Including one 20 minute intermission. 

*Please be aware fog will be used at this performance. 

About The Show

Act I:
 
In the nursery of the Darling family home in London, young Wendy reads to her brothers, John and Michael. After their parents leave for the evening and the coast is clear, Tinkerbelle, a sprightly fairy, enters the nursery looking for Peter Pan. Peter chases his Shadow into the nursery, and the commotion awakens Wendy and her brothers. 
 
Peter introduces the children to Tinkerbelle, and the two teach the children how to fly so they can accompany them back to Neverland, the land where children never grow up.
 
In the forest of Neverland, we meet the Neverlanders, the native people of Neverland, led by the fearless Tiger Lilly. The Lost Boys, a group of children brought to Neverland by Peter after falling out of their prams, are tracking the Neverlanders. 
 
Tinkerbelle arrives back and instructs the Lost Boys to slingshot the “Wendy-Bird” when she appears. When Peter lands back in Neverland, he is furious that Wendy has been hit, and he scolds the Lost Boys and Tinkerbelle. However, after Wendy reveals that she is only pretending to be asleep, everyone celebrates before returning to their underground lair.
 
Alone in the forest, Tiger Lilly is ambushed by Captain Hook and his pirates and taken prisoner to be used as bait to lure Peter — but, always closely behind is the crocodile who, after a taste of Hook’s left hand, is in search of another morsel.
 
Act II:
 
In the mermaid’s lagoon, the Mermaid Queen is joined by Peter, Wendy, John, and Michael. The mermaids flee when Hook and the Pirates arrive with Tiger Lilly in tow. While the Pirates are distracted, Peter quietly unties Tiger Lilly and leads her back to the forest. The Lost Boys and Neverlanders, usually at odds with each other, come together to celebrate Peter freeing Tiger Lilly.
 
Peter, the Darlings, and the Lost Boys return to their underground lair, where Wendy tells the children they can come home with her and her brothers. Only Peter refuses, much to Wendy’s dismay. However, as the children leave the lair, they are captured by Hook and his pirates. Sensing something is amiss, Peter rushes to rescue them.
 
On Hook’s ship, Hook tries to convince Wendy to join him as a pirate, but Peter interrupts and challenges him to a duel. After a fierce battle, Hook loses his footing and is thrown overboard into the waiting jaws of the crocodile.
 
The Lost Boys return to London with Wendy and her brothers, but Peter again refuses to leave. Wendy is devastated but knows she must return home.
 
Wendy and her brothers appear back at the nursery window and quietly sneak back into their beds. Upon awakening, Mrs. Darling is overjoyed that her children have returned but startled to see the Lost Boys coming in through the window. Wendy and her brothers explain their harrowing adventure, and Mrs. Darling agrees to adopt the Lost Boys into their family.
 
Peter and Tinkerbelle look on through the window as Wendy reads a bedtime story to the children.

Meet The Characters

Brian Enos

CHOREOGRAPHER

BRIAN ENOS, Originally from San Francisco, CA, is a choreographer, movement coach, and dance educator. His original works have been performed by companies such as Royal New Zealand Ballet, Houston Ballet, Hubbard Street Dance Chicago, Ballet Met, Oklahoma City Ballet, and Nashville Ballet, among others.

As a dancer, Enos danced professionally with The Houston Ballet and Hubbard Street Dance Chicago, where he worked with and performed notable works by Ben Stevenson, William Forsyth, Jiří Kylián, Ohad Naharin, Nacho Duato, Twyla Tharp, Johan Inger, Jim Vincent, Lucas Crandall, and many more.

Tobin Center for the Performing Arts

H-E-B Performance Hall

100 Auditorium Circle
San Antonio, TX 78205

Parking At The Tobin Center

The Tobin Center for the Performing Arts offers convenient parking options within a short walk of the venue, making it easy to attend events.

Tobin Center Parking Garage

Located at 227 4th Street, San Antonio, TX 78205, the Tobin Center Parking Garage provides several parking choices:

General Parking: $15

Prepaid Parking: $12*

Reserved Parking: $25*

Valet Parking: $29


To secure prepaid or reserved parking, please contact the box office at 210-223-8624 or visit our website using the link below. Prepaid and reserved parking options are unavailable for events held in the Carlos Alvarez Studio Theater.


Accessible Parking

Accessible parking is available on all levels of the Tobin Center Parking Garage. General accessible parking is priced at $15, with a $12 option if prepaid. Reserved accessible parking is available for $25.

You can reserve one of the three accessible parking spaces on level 2 when purchasing your tickets for $25. Each general admission floor also offers three accessible spaces conveniently located near the elevator, priced at $15 ($12 if prepaid).

Drop-Off Location

If you’re dropping someone off, there is a designated drop-off area on Auditorium Circle, located to the left of the main entrance steps. To reach this area, head north on Jefferson Street and turn left onto Auditorium Circle.

Share Your Experience

While photos of the performance are strictly prohibited, photos and videos of you and your guests are welcome! Please tag us @balletsa and use the #SayBSA to share your experience with us.

Tickets are only valid if purchased through the Tobin Center Box Office or Tobin Center Website

From the Press:

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